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ARTISTS
DANIEL KAWKA
From Paris to Geneva, from Rome to Moscow, from Brussels to Seoul… Daniel Kawka brings the symphonic and lyrical repertoire, both romantic and contemporary, to the world’s great musical stages, sharing with orchestras, soloists, singers and directors his passion for music and the great masterpieces. He has held several successive positions: musical director of the EOC (Ensemble Orchestral Contemporain) from 1998 to 2019, conducting the entire 20th century repertoire, which is reflected in his impressive discography. This has included a recent recording of Pierre Boulez’s Marteau sans maître and Philippe Manoury’s B-Partita. Daniel Kawka is part of this plenitude of the music and creation of his time, music director of the Florence orchestra for four years devoted mainly to the interpretation of the romantic repertoire, Beethoven, Schubert, Schumann, Brahms; regular guest conductor at the National Orchestra of the Rai of Turin, or at the St. Petersburg philharmonic, among others.
In 2013, he created the symphony orchestra Ose!, a “symphonic creation collective”, working with an ensemble of committed musicians, driven by a common spirit of exchange and a chamber music spirit, on a repertoire as vast as it is eclectic. Welcomed by the “grand prix de l’esprit d’entreprendre” (2015), two recordings devoted to Ravel (2016) and Berlioz (2018), accompanied by invitations, concerts, tours and premieres, the orchestra is making its mark on the French and European symphonic landscape as a daring and singular group.
Indeed, the initiative of an international symphonic creation academy, dedicated to young composers, the creation of a lyrical event with European resonance, such as the Léman Lyriques Festival since 2019, its policy of commissioning works that are part of entirely rethought concert themes and forms, bear witness to an innovative artistic project, where historical musical heritage and contemporary sound imaginations are in dialogue.
His adopted musical lands are France, Italy, Russia, Germany and Switzerland, each honouring the music of their respective composers. His experience of opera through twenty-five operatic works conducted in recent years has led him to conduct, in the pit, eight of the ten great Wagnerian operas. The Léman Lyriques Festival, created in 2019, bears witness to the boldness with which the symphony orchestra Ose! puts into perspective the different musical heritages and the modernity, brilliance and colours of the symphony orchestra as a setting for vocal expressiveness.
His favourite “quadrilogy?” Berlioz, Wagner, Mahler and Strauss !
SOLOISTS 2022
Robert Nortik, Video Director
La Tragédie de Salomé – Florent Schmitt
12.10.2021
Luke Sinclair, Tenor
Salomé (Hérode) – Richard Strauss
12.10.2021
Marie Hamard, Mezzo-Soprano
Salomé (Hériodiade) – Richard Strauss
12.10.2021
Helena Juntunen, Soprano
Salomé (Salomé) – Richard Strauss
12.10.2021
Lenneke Ruiten, Soprano
Der Rosenkavalier (Sophie) – Richard Strauss
08.10.2021
Camille Schnoor, Soprano
Der Rosenkavalier (la Maréchale) – Richard Strauss
08.10.2021
Adrian Angelico, Mezzo-Soprano
Der Rosenkavalier (Octavian) – Richard Strauss
08.10.2021
Guillaume Tétu, Horn
The Dark Moutain – Bechara El-Khoury
08.10.2021
Christophe Sturzenegger, Piano
À une source solitaire, op. 3, op. 9 et transcriptions – Richard Strauss
05.10.2021
Sarah Wegener, Soprano
Viez letzte Lieder – Richard Strauss
01.10.2021
SOLOISTS 2020/2021
Christina Landshamer, Soprano
4ème symphonie – Gustav Mahler
(version Klaus Simon)
27.02.2021
Boris Brovtsyn, Violin
Concerto pour violon et orchestre
– Jean Sibelius
27.02.2021
Véronique Gens, Soprano
Wesendonk Lieder – Richard Wagner
26.02.2021
Olivia Vermeulen, Mezzo-soprano
Kindertotenlieder – Gustav Mahler
26.02.2021
Quartet with piano
Estelle Gourinchas
Maud Le Bourdonnec
Michael Seigle
Nicolas Seigle
Kindertotenlieder – Gustav Mahler,
arr. Christian Favre
07.02.2021
SOLOISTS 2019
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COMPOSERS
Sul far del Giorno
09.11.2019
Benoît Menut
Le Dormeur du Val
5.11.2019
OSE ! Orchestra
Beyond the sound
It is the spirit of deepening and emulation at every moment, coupled with a chamber music approach, which presides over the rereading of the great masterpieces by the Ose! A quest for truth beyond heritage and tradition, a return to the sources of the composers’ poetic inspiration, to the heart of the matrix and of sensitive expression. It is true that music owes its power of evocation and expression only to the physicality of sound, its form and space. But as Celibidache points out, sounds can only be transcended by knowledge, by physical sound with a consciousness that animates it.
It is this quest “beyond sound” that the orchestra, its musicians and creators are engaged in.
New sound territories
The question of new sound territories does not only concern the creation of new works but also the rereading, the “recreation” of works from the past which hide in their folds so many mysteries and living forces yet to be revealed. Sculpting the richness of expression, associating each timbre with it, singling out each work for a specific orchestral ethos, linking the tonalities of the past and the textures of the present with a sound energy of its own, freed from knowledge and traditions.
These are the meanings given to the word “interpretation” by the Ose! Orchestra today, inviting the musicians in an individual and collective adventure where the key word is commitment.
The only way to find the right path is to discipline oneself, says Celibidache, so the orchestral musician knows exactly where his or her place is, what his or her role is. “I’m only the second violin – so what? That’s as big as being a conductor.
Art for everyone
From this premise, from this philosophy, new imaginations are born in terms of programming, ideas and concepts. This reflection has thus taken on new forms: original programmes, the creation of shows (Symbiose, Ring ohne worte, etc.) and events (Académie internationale de création symphonique, Léman Lyriques Festival, Académie Richard Wagner, etc.), exploring new spaces and methods of dissemination, opening up to all audiences.
MUSICIANS
VIOLIN
Alain ARIAS
Albane GENAT
Antoinette LECAMPION
Aya SOUVERBIE
Claire Mathilde DUFOUR
Coline BERLAND
Laura AL-TINAOUI NIVOU
Marie-Anne RAVEL
Marine FAUP-PELOT
Mehdi AL-TINAOUI
Michael SEIGLE
Perrine MISSEMER
Vincent FORESTIER
Virgile GUGLIELMI
Jan ORAWIEC (KONZERTMEISTER)
DOUBLE BASS
Anita PARDO
Christopher HONEYMAN
Julien MATHIAS
Michael LAFONT
HORN
Benoît DURAND
Jeremy TINLOT
Nicolas REY
Roch MONTESINOS
TIMBAL
Laurent MARIUSSE
ALTO
Axel BENEDETTI
Dominik BARANOWSKI
Estelle GOURINCHAS
Hanbin KIM
Salomé KIRKLAR
Soo Hyun KIM
HARP
Laure BERETTI
CLARINET
Benjamin CHRIST
Julien LOCQUET
Samuel BURRON MOUSSEAU
TROMBONE
Franz VANDEWALLE
Hamid MEDJEBEUR
Rémi BARBERON
OBOE
David SIMONNET
Félix GEFFLAUT
Hamadi FERJANI
CELLO
Anne-Sophie RATAJCZAK
Antoine RENON
Frédéric DUTHEIL
Georges DENOIX
Maud FOURNIER
Nicolas SEIGLE
Pauline MAISSE
FLUTE
Alice VINCENT
Christine COMTET
Fauna BUVAT
BASSOON
Mélodie GENESTE
Ruth FRANK
TRUMPET
Gustavo SOLANO
Brayahan CESIN
PERCUSSION
Cedric DUPUY
Martin MALATRAY
PIANO
Maud LE BOURDONNEC
Vincent FORESTIER
HARMONIUM
Charles BIANCO
Alain ARIAS
violin
Albane GENAT
violin
Alice VINCENT
violin
Anita PARDO
double bass
Anne-Sophie RATAJCZAK
cello
Antoine RENON
cello
Antoinette LECAMPION
violin
Axel BENEDETTI
alto
Aya SOUVERBIE
violin
Benjamin CHRIST
clarinet
Benoit DURAND
horn
Cédric DUPUY
percussions
Charles BIANCO
harmonium
Christine COMTET
flute
Christopher HONEYMAN
double bass
Claire Mathilde DUFOUR
violin
Coline BERLAND
violin
David SIMONNET
oboe
Dominik BARANO
alto
Estelle GOURINCHAS
alto
Fauna BUVAT
flute
Félix GEFFLAUT
oboe
Franz VANDEWALLE
trombone
Frederic DUTHEIL
cello
Georges DENOIX
cello
Gustavo SOLANO
trumpet
Hamadi FERJANI
Oboe
Hamid MEDJEBEUR
trombone
Hanbin KIM
alto
Jeremy TINLOT
horn
Julien LOCQUET
clarinet
Julien MATHIAS
double bass
Laura ALTINAOUI-NIVOU
violin
Laure BERETTI
harp
Laurent MARIUSSE
percussions
Marie Anne RAVEL
violin
Marine FAUP-PELOT
violin
Maud FOURNIER
cello
Mehdi ALTIANOUI
violin
Mélodie GENESTE
bassoon
Michael LAFONT
double bass
Nicolas REY
horn
Pauline MAISSE
cello
Perrine MISSEMER
violin
Rémi BARBERON
trombone
Roch MONTERSINOS
horn
Ruth FRANK
bassoon
Salomé KIRKLAR
alto
Samuel BURRON-MOUSSEAU
clarinet
Soo Hyun KIM
alto
Vincent FORESTIER
piano
Vincent FORESTIER
violin
Virgile GUGLIELMI
violin
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